Thursday, October 21, 2010

The Broken Bauer













A friend in Lyons brought me his old George Bauer Bowl Back Mandolin, with the neck coming off and top, smashed in. I wiggled the neck a bit, and it came off, with a bit of the top still holding onto the edge of the fingerboard, which also crumbled off the bottom. It looks as though all the pieces are there but restoraton to playable condition is pushing the bar.



George Bauer was in Philidelphia, Pa and putting out stringed instruments in the late 1880's. He later joined forces with Stuart Banjo and took that company over in the early 1900's.













Our poor broken one is called model Monagram, and I see that model in later instruments too and considered entry level. With it's beautiful top, Brazilian Rosewood bowl strips, I'd hardly call it entry level! The neck joint is one I've yet to see. Not the dove-tail joint that we're used to encountering, but a crude, hand carved asymetrical joint.
















Well, after consulting a luhier here in Rochester, he brought to my attention, that the neck was previously re-glued, using Gorilla Glue. The urethene glue has already satuated the wood fibers, rendering hyde or other wood glues not effective. So, at his advice, I cleaned up my joints and reglued the neck with the Gorilla Glue.




The next serious issue, is the left top bout where the fingerboard and top meet. The top is smashed down over 1/8 inch. I cut a scab to glue under my seam, and jacked and glued the left top section to the fingerboard.

Wednesday, October 6, 2010

A new Tele Mod

Being a Tele kinda guy, myself, I love it when a customer has a new request for a mod on a Tele. Yesterday, a great player and new friend to me brought in a Tele for a pickup replacement job and a request to move the controls around on his Tele. He asked that I turn the control plate 180 out, so that the switch was on the other end of the plate. He wanted the volume control to be on the left side, closer to the picking hand for easier reach. It sounded like a great idea to me. He claims that guys in Nashville started doing this.
This required, turning the control plate around 180. The switch, also had to be turned around 180. The volume and tone controls had to be switched in their respectave positions also. With the guitar strapped on, looking down, the controls now were from left to right: Volume, Tone, and Selector Switch. The volume could now be much closer to swell and adjust. Genious!